Course collections

Course collections contain literature that is particularly relevant to a specific course. They are made available as print or electronic collections for the duration of the semester.

Teaching staff can find information on setting up a course collection here and students can learn more about using the course collections.

The course collections are made available in the Central Library as well as in the subject libraries on specially marked shelves. The holdings stored here are for reference only. The items are identified in the ULB catalogue with the reference “Semesterapp.” together with the respective course number.

Media are usually released from a course collection again towards the end of the semester (usually in mid-March or mid-September).

Digital content is made available to course participants in electronic course collections. These course collections can include:

journals and chapters from books (as permitted by copyright laws, i.e. max. 15% of a copyrighted work) as PDF files
weblinks
your own files

For copyright reasons, the copyrighted documents made available in the course collections are deleted towards the end of the semester (end of March or end of September).

Therefore, please remember to save a copy of the required texts for yourself as necessary in good time.

HHU’s ILIAS learning management platform provides the technical basis for course collections. You’ll need to submit an activation request to the Centre for Information and Media Technology (ZIM) to be able to edit course collections in ILIAS. Following activation, teaching staff receive a link to the ULB catalogue in their ILIAS course, which includes a request option for books as well as journal articles and book chapters in a PDF format.

Instructions on how to prepare a course collection (German)

Copyright information (German)

Current print course collections

Semesterapparat	Standort	Nummer
Ausländerrecht - mit Bezügen zum allgemeinen Verwaltungsrecht und Verwaltungsprozessrecht	FBJUR	001
Klinisches Denken und Handeln in Diagnostik und Therapie	FBMED	001
Reading, Skimming, Gleaning, Scanning: Gathering Information	PhilBib	001
Truth is stranger than fiction? Unreliable narrators and the truth of fiction	PhilBib	002
Experiments in/with literature	PhilBib	003
Diversität im Comic	PhilBib	004
Hannah Arendt: ein Denken in Krisenzeiten	PhilBib2	001
Blaise Pascal: Gedanken	PhilBib2	002
Lektürekurs Philosophie des Mittelalters	PhilBib2	003
Philosophie der Landschaft	PhilBib2	004
Caesar: Leben und Rezeption	PhilBib2	005
Philosophie des Mittelalters	PhilBib2	006
Tierethik	PhilBib2	007
Experimental Biophysics	VBNW	003
Lineare Algebra I	VBNW	004
Literaturen im transkulturellen Raum Bolivien: Prosa, Lyrik, Theater	ZB01	001
BFM 2-1a u. BFM 2-2a Tod und Sterben in der Literatur des Fin de Siècle	ZB01	002
BFM 2-1a/BFM 2-2a Lyrikerinnen von der Renaissance bis zur Gegenwart	ZB01	003
BFM 2-1a / 2-2a Lyrikerinnen von der Renaissance bis zur Gegenwart (18./19. Jahrhundert)	ZB01	004
BVM 2c Geburt, Tod und Wiederauferstehung der Autorschaft	ZB01	005
Die Anime-Serie Attack on Titan durch die Linse unterschiedlicher Forschungsdisziplinen	ZB01	006
Karl der Große (Aufbauseminar mit Tagesexkursion nach Aachen)	ZB02	001
Rastafari in der Globalgeschichte	ZB02	002
Hexenverfolgungen in Osteuropa in der Frühen Neuzeit (Blockseminar)	ZB02	003
Die Jugoslawien-Kriege 1991-2001	ZB02	004
Städte, Wälder, Ozeane: Orte des künstlerischen Widerstands gegen globale Krisen	ZB03	001
Kunst und Politik auf der Biennale Venedig	ZB03	005
Feuer, Wasser, Erde, Luft – Die vier Elemente als gestalterisches Mittel in der Kunst	ZB03	006
Von Marcel Duchamp bis Wu Tsang: Kunst des 20. und 21. Jahrhunderts	ZB03	007
Familienbande, Inspiration und Rivalität: Die Bellinis, Mantegna und die Renaissance in Venedig	ZB03	008